Daiwaman SEASON 2 (Episode 1 "Entrance" version / Episode 2 "Successor" version)
Commercial
- DirectorKoichi Iguchi
- DirectorMasahiro Takada
- DPSenzo Ueno
Gaffer / Lighting
Michihiro Nishida
西田真智公
Japan
Gaffer / Lighting credited on Daiwaman SEASON 2 (Episode 1 "Entrance" version / Episode 2 "Successor" version) (Daiwa House Industry), via Episode 1 "Tojo" version.
Highlighted works
Spotify x "Demon Slayer: Kimetsu no Yaiba" TVCM / Activation
Commercial
- DirectorHiroki Ono
- DPTetsuya Kondo
- ColouristYusuke Adachi
"Let's Go Potato-Blissful" version
Commercial
- DirectorSojiro Kamatani
- DPSenzo Ueno
- EditorFumihito Endo
Sumitomo Mitsui Card "Finally, the Gong!" version
Commercial
- DirectorKoichi Iguchi
- DPSenzo Ueno
- ColouristMasahiro Ishiyama
Often collaborates with
Crews Michihiro works with regularly
All credits
Every project, role and collaborator
- Projects
- 8
- Other
- 8
- Amazon Music 'Following is Cheering' making-ofGaffer
- Spotify x "Demon Slayer: Kimetsu no Yaiba" TVCM / ActivationGaffer
- Sumitomo Mitsui Card "Finally, the Gong!" versionGaffer
- "So This Is How Free It Was." version (All-Free) / "So the Aroma Was the Flavour" version (All-Free Ale Taste)Gaffer
- Kishidan "We Think, Therefore We Are"L (照明 / Lighting)
- "Let's Go Potato-Blissful" versionGaffer
- "GREEN JUKEBOX Rest" versionGaffer
- Daiwaman SEASON 2 (Episode 1 "Entrance" version / Episode 2 "Successor" version)Gaffer